Manuel Correa

Memories from Exile

Testimony by Judge Martha Lucía Gonzalez: "Judge Gonzalez recalls the gates of the Voltigeros Battalion in Urabá, symbolizing her denial of entry by the military."

Artist and filmmaker Manuel Correa was awarded the 2024 AFIELD Transitional Justice grant for Memories from Exile, a video project centered on the experience and disappearing knowledge of judges from the 1980s-90s in Colombia who were forced into exile. The project, through reenactments, produces new visual evidence for Colombia’s collective memory and questions conceptions of truth.

In Bogotá, Colombia, in 1989, Judge Martha Lucía González exposed the dark network connecting military personnel, paramilitaries, drug traffickers, and landowners, directly challenging powerful figures like Pablo Escobar and high-ranking army officers. After three decades of living in anonymity and exile, she has been found and has proposed, for the first time, to tell her story. Her research and testimony serve as a long-forgotten cornerstone for understanding the origins of paramilitarism in Colombia and the way state actors, landowners, and mercenaries collaborated to maintain a deeply unequal society.

Memories from Exile will use video as a research tool to create new visual evidence. In this investigation, Judge González becomes a witness. Through the use of reenactments of events, the project will explore justice through embodied experiences. A group of performers will work to recreate the acts of violence experienced by Judge González. To rigorously reconstruct these events, she will co-direct the actors alongside the filmmaker. This methodology is inspired by judicial practices, aiming to offer a novel form of testimony that simulates the presentation of evidence by experts in court. Using reenactments will provide an embodied understanding of the facts, generating empathy and raising awareness.

The methodology and theme of Memories from Exile complement each other: the law, beyond its known punitive functions, plays a critical role in defining social truths. Judges meticulously study past events to determine whether they occurred and how they unfolded. Bringing bodies back to justice invites reflection on the scripts, rituals, and performative nature of legal practices, challenging the view of law as purely mechanical and rational.

Manuel Correa is a Colombian artist and filmmaker exploring memory and post-conflict reconstruction in contemporary societies. Manuel’s work is exemplified by the difficult task of negotiating highly complex and fragile social relations formed in the aftermath of trauma. He has used documentary filmmaking as a tool through which to bring people together: creating meeting points for war victims, survivors, activists, and scientists.

Correa has an MA in Research Architecture from Goldsmiths College, University of London. He recently was part of the Forensic Architecture project and has collaborated with the Colombian Truth Commission. His works have been presented in venues such as the Spanish Pavillion of the 18th Venice Architecture Biennale, Rotterdam International Film Festival, The Medellín Museum of Modern Art, Kunsthaus Graz, The 8th Norwegian Sculpture Biennial, e-flux Architecture, Het Nieuwe Instituut, DOK Leipzig international documentary film festival, amongst other spaces.

Manuel Correa I Photo by Clara Cohen

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