Aida Šehović

Bosnia and Herzegovina · Visual Arts

The Mothers of Srebrenica donate a fildžan (cup) for every person killed in the genocide, forming the ŠTO TE NEMA monument. Photo: Bekir Halilović. Courtesy of Aida Šehović.

Visual artist Aida Šehović is a 2026 Transitional Justice with Artists (TJA) Fellow, recognized for the ŠTO TE NEMA Foundation, an initiative resisting the normalization of genocide through collective healing and public mourning.

ŠTO TE NEMA Foundation is a participatory memorial initiative responding to the denial of the 1995 Srebrenica Genocide—in which more than 8,372 Bosnian Muslim men and boys were systematically killed during the Bosnian War—and to the wider failure of post-conflict societies to hold onto accountability once the trials end. At the centre of its artistic practice is the fildžan, a small, handleless porcelain cup used to serve traditional Bosnian coffee. By moving an ordinary object out of the home and into public space, the initiative transforms a private, everyday ritual into a shared act of collective remembrance and civic responsibility.

From 2006 to 2020, the foundation created a nomadic monument that was reconstructed annually in a different city across fifteen international iterations. The monument grew as it traveled, cup by cup, with donations from survivors and diaspora communities, until its final gathering in 2020 at the Srebrenica Memorial Center, where more than 8,372 fildžani had been collected, each representing one of the victims.

Today, the foundation continues to expand this relational, truth-telling practice into new material and educational dimensions. Its ongoing work encompasses Spatium Memoriae, an interactive archive structurally modeled on the storage infrastructure used to track missing persons; the documentary film Where Have You Been; Cups of Memory, a collaboration with architect Arna Mačkić examining permanent forms for ephemeral rituals; and Monument LAB educational workshops. Ultimately, the initiative seeks to activate a “justice imagination,” enabling communities to collectively envision and enact avenues of repair where legal proceedings reach their structural limits.

ŠTO TE NEMA monument in Srebrenica on 11 July 2020. Photo: Paul Lowe. Courtesy of Aida Šehović.

Aida Šehović (b. 1977, Banja Luka, Bosnia and Herzegovina) is a visual artist based in Sarajevo whose practice deploys socially engaged art as a mechanism for collective healing, public mourning, and resistance against the normalization of genocide. Forced to flee her hometown as a teenager at the onset of the Bosnian War, she lived as a refugee in Turkey and Germany before immigrating to the United States, eventually returning to Bosnia and Herzegovina in 2021. She is Founding Director of ŠTO TE NEMA Foundation, an initiative built alongside survivor associations, civil society networks, and diaspora communities to secure long-term public memory and foster intergenerational dialogue.

Aida Šehović. Photo: Armin Durgut.